A Brave New (and Hopefully) Best-Selling Cover for The Virtuoso

“There is much to discover that’s not on the back cover!” ~ E.A. Bucchianeri

We’ve all heard the well-worn idiom, ‘don’t judge a book by its cover’. After all, the phrase goes back to at least the mid-19th century, first printed in the newspaper Piqua Democrat, in June 1867:  

“Don’t judge a book by its cover, see a man by his cloth, as there is often a good deal of solid worth and superior skill underneath a jacket and yaller pants.”

Yet it’s something we all do, whether we’re aware of it or not. It’s even harder to be objective when that cover belongs to your own book!

An author’s emotional connection to their work is usually strong, and sometimes personal preferences can unconsciously override what might be more popular with readers. The challenge is to strike a balance or fusion between the author’s ideas and appealing to the marketplace.

When it comes to covers, whatever will accurately represent the story and arouse a potential reader’s curiosity is the priority.

Some eye-opening stats about the Amazon literary marketplace

Here is a comparison of titles held by the Library of Congress (the oldest federal cultural institution in the United States, thought to be the largest library in the world), versus Amazon, the world’s largest online book retailer.

Library of Congress (LOC):

  • Total Books & Printed Material – 14, 602, 487
  • English Titles – 6, 804, 199
  • Titles available online – 199, 160

Amazon:

  • All Books (in stock) – 40 million (2.7 x LOC)
  • English Titles – 10 million (1.5 x LOC)
  • English Kindle Titles – 4, 794, 589 (24 x LOC)

With around 4.8 million English books available on Amazon Kindle, it is by far the largest single platform for ebook sales in the world. A staggering 70,000 new titles are added to Amazon every month, with a 17% growth in book supply every year. Over 2,000 books are launching every day onto this publishing behemoth…

It’s a tough job to create a compelling book cover that’s both eye-catching and unique, in order to stand out in a crowded market and entice readers. It has to embody the story with flair on the outside, and then fulfill the promise of that visual hook on the inside.

The bottom line is, does the book cover create the desire to read it?

A cover plays a major part in helping to differentiate your book from the plethora of titles available online and in book stores.

“In the old days, books had awful covers and marvellous content; nowadays, the opposite happens.” ~ Giacomo Leopardi, Thoughts

Is it greedy to want both a stunning cover and great content? No, I don’t think so. These are the standards professional authors aim to achieve and that readers expect.

There are some amazing and iconic covers out there. Here is a list of the 50 coolest book covers chosen by shortlist.com.

I am hugely excited and a teeny bit trepidatious about changing my literary ‘brand’. The new cover is very different from the first, but that’s a good thing in my opinion. Otherwise, what’s the point in a fresh look?

New front, spine and back cover of The Virtuoso

I asked Oliver Bennett at More Visual Ltd. to redesign the cover of The Virtuoso to include my Publishers Weekly review, and of course, the beautiful contemporary classical soundtrack (embedded on the sidebar), performed by violinist Adelia Myslov.

I think he has done me proud, and I love it. But what I think doesn’t really matter.  It takes creative courage to judge your own book by its cover, and you can only go on your own impressions as well as feedback from others. I’m grateful to those I’ve asked for giving me their honest opinions and suggestions.

Ultimately, artistic design is highly subjective, just like the act of reading itself.

3D view of The Virtuoso

I hope the new design will garner positive comments, and perhaps, (in conjunction with favourable book reviews), help generate more book sales…

If you fancy giving it a go, here are the UK and US Amazon links. The Virtuoso’s new Goodreads page.

I’d be delighted for any feedback from readers: either past, present or possibly future! I am currently offering free digital copies to book reviewers and book lovers who are willing to leave an honest review.

Just drop me a line via my contact page and I’ll email the link. If you prefer to hold a paperback I’d be happy to send you one in the post.

For U.S. based readers I’m running a Goodreads Giveaway of 100 Kindle copies of The Virtuoso between 16th and 24th June. You will be able to enter this giveaway from the link I will post on my sidebar.

Celebrating a Monumental Musician and Man: Yehudi Menuhin

“Music creates order out of chaos: for rhythm imposes unanimity upon the divergent, melody imposes continuity upon the disjointed, and harmony imposes compatibility upon the incongruous.” ~ Yehudi Menuhin

When asked to think of a violinist, probably one of the first names that would come to mind is Yehudi Menuhin. I’m going to sound-off a bit (in a good way), as today marks the centenary of his birth, (22nd April 1916).

Yehudi Menuhin violin quote

Perhaps being British I was exposed to his music more than say, the likes of his contemporaries, Jascha Heifetz or David Oistrakh, but he’s undoubtedly one of the giants of the 20th century and revered by many current soloists. Not just for his supreme talent on the violin, or indeed his teaching and music school, or his conducting, but for also for his humanitarian work and contributions to the world of classical music as a whole.

A child prodigy, he first studied under Louis Persinger and later Romanian violinist and composer, George Enescu.

You could say he was truly a citizen of the world, born in the USA to Russian Jewish parent’s he became a Swiss citizen in 1970 and a British citizen in 1985. He performed all over the world during his illustrious career.

Yehud Menuhin on music

His recording contract with EMI was the longest in the history of the music industry, lasting almost 70 years from his first recording aged thirteen in 1929, to his final recording aged eighty three in 1999. He recorded over 300 works both as a violinist and conductor.

His legacy lives on in the form of his music school in Surrey (where Adelia Myslov, the violinist who recorded the soundtrack for my novel, The Virtuoso, attended). Adelia spoke of performing with him and I could see they were very special memories for her.

Yehudi Menuhin_1976

So many of his You Tube clips are from those halcyon days of black and white; truly vintage performances that I love. For me, Menuhin was the embodiment of virtuosity, his style was romantic without being sentimental, his musicality and phrasing was exquisite. I’ll share some of my favourite performances of his throughout this post.

“In playing Beethoven the violinist should be a medium. There is little that is personal or that can be reduced to ingratiating sounds, pleasing slides and so on. Everything is dictated by the significance, the weight, structure and direction of the notes and passages themselves.” ~ Yehudi menuhin

Rather than populate this post with tons of text, I’d rather give you his voice and music…

A Violonist in Hollywood – Yehudi Menuhin in coversation with Humprey Burton:

The focus of the film is on previously unreleased footage from the legendary Hollywood music film, Concert Magic from the year 1947. In interviews and conversations with his biographer Humphrey Burton, Yehudi Menuhin recalls the origin of the film, the war and post-war era in America and Germany. Special attention is paid to his commitment to the victims of World War II. These include great artists forced into American exile such as fellow musician Béla Bartók.

During the Second World War Yehudi Menuhin helped to raise the spirits of war victims and refugee children with numerous concerts. He supported artists in American exile, performed for an audience of freed prisoners of the concentration camp Bergen-Belsen, and in war ravaged Berlin he played demonstratively under the baton of Wilhelm Furtwängler.

Looking back at the mid-1940’s it is clear to see with what passion Menuhin linked his goals of musical excellence with a dedication to social causes. He used music to plead for justice and reconciliation often against strong resistance.

“Each human being has the eternal duty of transforming what is hard and brutal into a subtle and tender offering, what is crude into refinement, what is ugly into beauty, ignorance into knowledge, confrontation into collaboration, thereby rediscovering the child’s dream of a creative reality incessantly renewed by death, the servant of life, and by life the servant of love.” ~ Yehudi Menuhin

Yehudi Menuhin School

The Menuhin School was set up in 1963 for musically gifted children and is based in beautiful grounds at Stoke d’Abernon near Cobham in Surrey. I attended a classical concert there last year when Adelia was performing with Craig White; many of the school’s alumni are invited to return. It’s the spiritual home of violin tuition, with Lord Menuhin’s grave located in the grounds near the performance hall.

Menuhin grave

Violinist David Hope was lucky enough to be taught and mentored by Yehudi Menuhin, and talks about his journey with the late maestro and also his latest album, My Tribute to Yehudi Menuhin:

Current violinists fortunate to have been taught by Lord Menuhin include Nigel Kennedy, Nicola Benedetti, Paul Coletti and Peter Tanfield.

The Menuhin Competition

Set up in 1983, this is the world’s foremost violin completion for young musicians under 22. The Menuhin Competition is held every two years in different locations around the world. Past winners include Julia Fischer, Ray Chen, Lara St. John, Tasmin Little and Ilya Gringolts. The 2016 final was won earlier this month by Chinese violinist Ziyu He.

“I would hate to think I am not an amateur. An amateur is one who loves what he is doing. Very often, I’m afraid, the professional hates what he is doing. So, I’d rather be an amateur.” ~ Yehudi Menuhin

Instruments

As you would expect from a musician of his calibre Yehudi Menuhin played on several famous violins, the most famous of which was the Lord Wilton Guarnerius of 1742.  Among his other violins were the Giovanni Bussetto 1680, the Giovanni Grancino 1695, the Guarneri filius Andrea 1703, the Soil Stradivarius, the Prince Khevenhüller 1733 Stradivarius, and the Guarneri del Gesù 1739.

David Fulton - current owner of the 1742 Lord Wilton ex Yehudi Menuhin Guarnerius

David Fulton – current owner of the 1742 Lord Wilton ex Yehudi Menuhin Guarnerius

I couldn’t find a clip where I could be sure Menuhin was performing on his Lord Wilton, but I have found one of James Ehnes playing Tchaikovsky’s Melody on it in 2012.  He made a series of recordings on famous Stradivari and Guarneri del Gesu violins. It seems to possess a very rich, deep and powerful tone.

Performance clips

The Menuhin Century: (Ave Maria, Flight of the Bumblebee):

I think I’m going to have to purchase this!

Beethoven Violin Concerto in D major, Op. 61 with the London Symphony Orchestra and Sir Colin Davis in 1962:

Yehudi Menuhin, aged 22 performing the Mendelssohn violin concerto in E minor, Op. 64 with his teacher, George Enescu conducting:

I absolutely adore his Bach Chaconne solo!

An iconic recording with David Oistrakh of Bach’s Double Violin Concerto in D minor:

The second movement of Paganini’s Violin Concerto No.1in D Major:

A fabulous vintage video of Menuhin in rehearsal and performance of Mozart’s Violin Concerto No. 3 in G Major, KV 216:

A vintage recording of Menuhin performing Edward Elgar’s Violin Concerto with Elgar conducting the LSO:

Menuhin plays the dramatic third movement of the Saint-Saëns Violin Concerto No. 3 in B minor, Op. 61 with the LSO:

Tchaikovsky’s Sérénade Mélancolique with the RPO:

Teaching

 Violin Tutorial – Left Hand First Exercises:

https://www.youtube.com/watch?v=mvV4A6lz-0w 

Left Hand Playing:

Keeping it in the family 

Performing with his sister Yaltah (on the piano), in a feisty rendition of Sarasate’s Habanera:

Accompanied by his son Jeremy Menuhin playing Beethoven’s ‘Spring sonata’ in F Major:

https://www.youtube.com/watch?v=CQUzCeIcFnw 

Menuhin performs Beethoven’s ‘Archduke’ Trio in 1974 with Rostropovich and Kempff:

Collaborations

Indian Classical Music with Ravi Shankar, Alla Rakha and Yehudi Menuhin:

Yehudi Menuhin & Ravi Shankar – Tenderness:

In his jazz mood with Stephane Grappelli! Autumn Leaves:

Jacob Gade’s tango – Jalousie:

I haven’t really touched on the technical difficulties he faced in the latter part of his career, because despite his virtuosic decline he was always an outstanding musician, conductor and human being.

Poster at the performance hall of Yehudi Menuhin School

Poster at the performance hall of Yehudi Menuhin School

“Actually, I was gazing in my usual state of being half absent in my own world and half in the present. I have usually been able to ‘retire’ in this way. I was also thinking that my life was tied up with the instrument and would I do it justice?” ~ Yehudi Menuhin

An Evening of Words, Music, Celebration and Chocolate: The Official Book Launch for The Virtuoso

“You can’t please all of the readers all of the time; you can’t please even some of the readers all of the time, but you really ought to try to please at least some of the readers some of the time.” ~ Stephen King (On Writing)

Virtuoso Book Launch-019 (1)After weeks of planning my big day was finally here: 25th June 2015 – Book Launch Day.  My stomach had been in turmoil all week, but I was strangely calm on the morning of the event. It felt reminiscent of planning a wedding and I didn’t want to turn into the literary equivalent of bridezilla!

After all, my launch party was meant to be fun, a celebration of getting The Virtuoso into print, and an acknowledgement of the many years of hard work that had gone into its creation. But I still felt I had a lot riding on it. I didn’t want to mess up in front of my family, friends and esteemed colleagues who were waiting expectantly, all dressed up in their glad rags, except for my brother!

It was my chance to let the world know why they should read The Virtuoso, and I had to get over the fact that I wrote it and just be the messenger…

I had lived and breathed my labour of love for the last few years, and now it was time to unleash it on the lovely people who came to support and celebrate with me.

I planned the event as meticulously as I could amidst my busiest month of the year so far. I’d had an extremely manic time with my family; two birthdays, one delayed birthday treat, one school trip to Waterloo, one book launch and a trip to the Royal Albert Hall all within days of each other.

Inevitably, some key people couldn’t make the event and I had to roll with it. At one point I was panicking that I’d just be speaking to my mum! In the end there were about forty guests, so my fears were unfounded.

I went to the hairdressers early in the morning; I didn’t want to risk a bad hair day! Mum and I got to the venue as early as we could, I had lots of helium balloons to inflate, tables to decorate, books to display. It was a real treat having my makeup done for me just beforehand.

The Location

Danesfield House Hotel is the sort of hotel that my protagonist, Isabelle Bryant, would have frequented! It’s nestled on a hillside between Marlow and Henley with magnificent views over the River Thames.

Virtuoso Book Launch-151

The hotel has an interesting history, as well as having played host to George and Amal Clooney for their UK wedding celebration last year. Me and my gang weren’t Hollywood A-Listers, but they still gave us a warm welcome and treated us with impeccable service.

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It was a happy moment for me when my family arrived to join me. My youngest, Ruby, was just so sweet, she couldn’t hide her excitement and was galloping around the grounds.

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“Mummy, this hotel is really posh. Even the bushes are posh.”

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On arrival my guests were greeted with a hug and served with chilled Prosecco. The doors of the Chiltern Suite open out onto the terrace, and luckily the weather was amazing so everyone was able to sun themselves in warm, balmy air and relax a little before the formal part of the evening got underway.

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I was doing anything but relaxing! I had to get through a 20 minute presentation…

Robert Clay did a brilliant introduction for me, and then it was time to step on to the stage. I made a joke of my knees knocking together under my long black gown with exaggerated movements, which got a few titters, and then I was off! I was mighty relieved to get a hearty round of applause at the end. Luckily everyone seemed to find it interesting and enjoy themselves.

Virtuoso Book Launch-069

After that canapes and drinks were served and the audience were treated to a rendition of the music soundtrack which was written especially for the book. One guest even took the score home to play on her piano.

Virtuoso Book Launch-084

The music is now available to download and stream on Amazon, iTunes (listed under soundtracks on the store) and on Spotify. Search for Tim Johnson – The Virtuoso (feat. Adelia Myslov).

Then the beautiful, large and mouthwatering chocolate cake was cut and I became engaged in signing books…

Virtuoso Book Launch-006 (1)

Not bad for a girl who only wanted to take up the violin because her best friend at school had started lessons, having quickly discovered that she loved it! Out of accidental encounters passions can grow…

Virtuoso Book Launch-121

However – as is usually the case with life – as soon as you find yourself on a high there is someone ready to take you down a peg or two!

Only a few days later I had the absolute worst review on my Amazon page.

Everyone is entitled to their opinion, and this person didn’t hold back about how bad they thought the book was. I felt devastated. But, like most authors who I’m sure at some point have endured a cruel slur about their work, I just had to pick myself up, dust myself off and try not to feel like giving up.

They made a point about the price differentiation which I can explain. It was not done deliberately! When I originally set the price my publisher was in favour of £8.99 but I wanted to keep it below £8. However, when I made the book available in paperback with Amazon the minimum price they allowed me to charge was $15.99/£8.67.

A bigger book means higher costs. The Amazon paperback version is over 400 pages in length. So the cover will now be amended to show a price of £8.99. I hope you’ll read it and agree it’s worth the money, but I won’t hold it against you if you don’t…

I’m in the process of uploading the photo gallery onto my Facebook page.

It just remains for me to thank my family, friends and everyone who helped to make my book launch a really special evening filled with joy and excitement!

As well as the thanks I owed to everyone who helped me with the book, mainly my publisher, Nicky Fitzmaurice at Satin Paperbacks, and Gary Smailes at Bubblecow and Caroline Jacques for her fabulous cover. I’m also grateful to Liz Britnell for the tasty three tiered chocolate cake, Alison Oswald for making me feel like a movie star, Becky Rui for her amazing photographs of the event, Joanne Howe for her help with my press release, Anke Exnor for some pre-book launch encouragement, Sylvia Baldock and my Athena colleagues for their kind support and Robert Clay for all his mentoring over the years and for giving me a wonderful introduction!

If the majority of reviews remain positive then it will give me the impetus to continue with my next project; a trilogy of psychological thrillers.

There may be a radio interview coming up soon too…

I’m going to finish with a quote from James Patterson, an author who has sold 300 million copies of 130 novels worldwide:

“One of the nice things about books as opposed to television and movies to some extent, is it’s not a passive entertainment. People really do get involved, and they do create, and they do have their own visions of what different characters look like and what should happen. It’s great – it means their brains are working.”

#TheVirtuoso – First the Book, Now the Music!

“When you play a violin piece, you are a storyteller, and you’re telling a story.” ~ Joshua Bell

I’ve been itching to write this post for weeks….

Paradoxically, now the time is here I’m slightly lost for words. I have many superlatives for the work of film/TV composer Tim Johnson and virtuoso violinist Adelia Myslov, and to tell the truth, I feel quite emotional…

In a good way I hasten to add!

Whenever I listen to the superb soundtrack that Tim and Adelia created I can hardly contain myself. The music is playing on a continuous loop inside my head alongside the events of the novel.

After I finished writing The Virtuoso I knew I wanted to have an original piece of music written for it. To tell the story of a violinist and not have a musical narrative to complement it seemed somehow incomplete.

Virtuoso iTunes Cover ONLINE ARTWORK (2)

The journey so far…

Adelia and I met last summer after one of her concerts – she had just given a tear-inducing performance of Mendelssohn’s Violin concerto – and I was bowled over by her talent. We met briefly afterwards, and I wrote about her in one of my early posts: Gem of a violinist illuminates Church Concert. We hooked up on Twitter, and Adelia read my book prior to publication.

I was quaking in my boots, I can tell you. Luckily she enjoyed it, and endorsed how ‘real’ it was, so I was relieved that a virtuoso violinist had authenticated the musical aspects of my story. I suggested it would be wonderful if she could play the ‘theme’ for it, and to my absolute delight Adelia agreed!

We met up to discuss the project, and Adelia put me in touch with Tim (who she met while studying at the Royal College of Music), and the rest, as they say, is history!

About Tim

Tim began playing classical guitar at the age of 9, then moved to electric shortly after. He has always enjoyed music that was loud and fast, regardless of the genre, be it punk, metal, drum and bass or Bach.

Tim JohnsonOn track to study as a sports scientist in college, Tim did a U-turn and decided he wanted to be a professional musician. He completed his music technology A-level in just one year (instead of the usual two), alongside a traditional A-level; after which he gained a place at the University of Hertfordshire to study for a B.Sc. in commercial music composition and technology. During that time he discovered a love for writing film music.  He always enjoyed listening to it, but it was during his time at university when he decided that it was the career for him. Tim left Hertfordshire with a 1st Class Honours degree.

Despite fierce competition in the world of film composition Tim managed to write for a few adverts and other jobs when he started out, but in light of how tough it was to get hired he decided he should continue his education. He was accepted into the Royal College of Music to study Musical Composition for Screen under Francis Shaw.

Along with a good friend, Konstantine Pope, Tim was the first student to be allowed to use the main concert hall for a live electronic concert, with full orchestra, rock band, electronics and a cinema screen with visuals.

“They obviously saw enough potential in me. The experience was incredible and I learned a colossal amount, about how to write good music, about the industry, about networking and communicating with musicians… respect for musicians and their talents.”  ~ Tim Johnson

Since then, Tim has written music (or created sound design) for AAA games, trailers, movies and of course, for The Virtuoso!

The Brief

I explained to Tim that I wanted a unique theme with a classical feel to it, perhaps a little Beethovenesque (due to his part in the novel), that would serve three aims: to dramatise the story, give the listener an idea of Isabelle’s character and also a musical experience of the overall essence of The Virtuoso.

After we recorded the music Tim told me about how he initially struggled with the concept of a virtuosic piece, and the idea of playing notes for the sake of playing them. He confided in a respected colleague; the conductor and film composer, Nic Raine, who advised him that just a single note can sound virtuosic; it’s how the musician plays the note that matters, it’s their interpretation that makes the difference. He said that Tim should concentrate on a memorable theme. His advice clearly paid off!

Tim has done that and more, with a divine melody that Adelia has brought to life on her 18th Century Lorenzo Storioni violin, crafted in Cremona.

Adelia's Storioni Violin

Adelia’s Storioni Violin

As an aside, I recently learned that Arnold Steinhardt (the leader of the legendary Guarneri Quartet), also plays on a Storioni violin.

The Music

The theme has three distinct parts, akin to the novel. The beginning has a very upbeat feel. You immediately hear Isabelle’s virtuosity on the violin, as well as a sense of her personal struggle, culminating in a flurry of semiquaver passages ending with the dramatic chords synonymous with her terrible accident. It then proceeds in a minor key with the most heart rending melody. This is my favourite part of the composition.

Adelia plays this movement incredibly soulfully. Her performance is laden with powerful vibrato and a profound palette of emotional colours, reflecting the time of deep sadness, devastation and introspection for Isabelle; delivered with flawless intonation in a smooth legato style. The tone she gets from her Storioni is so full and resonant.

The finale returns to the opening theme and changes key into C major. There are some incredible semibreve and minim high notes (she makes her Storioni sing, even at the top of the fingerboard in 8th position), which has the effect of fully immersing the listener in Isabelle’s fateful journey before ending on a similar note to the novel.

The Recording

Adelia in action2We got together over the May Bank Holiday to record it. I’m full of admiration for Adelia; both as a person and as a musician. She had the difficult task of playing a demanding piece alongside a backing track with a large microphone in front of her. To play normally is one thing, but to play so beautifully and at a fast tempo wearing chunky headphones is quite another!

Eat your heart out Jascha Heifetz!

As a much in demand concert violinist, her energy and enthusiasm during the recording process – and indeed for the whole project – has been nothing short of miraculous.

“I am grateful to have met Virginia and to have been part of Isabelle’s story through music. Her novel, The Virtuoso is powerful, beautiful, and very human; and sure to touch many hearts like it did mine.” ~ Adelia Myslov

I couldn’t imagine anyone else telling the musical story of The Virtuoso quite like Adelia does.

We were able to take sections of the score and make sure we were happy with the result before moving on to the next phrase. Tim, in his sound wizardry, was able to take all the best bits and put it together in this finished version.

The Official Soundtrack

In a few weeks the official soundtrack to The Virtuoso will be available to purchase on Amazon and iTunes alongside the novel.

I put together a You Tube video to showcase the music, but please do support the artists by purchasing the track if you like it as much as I do!

When I started writing The Virtuoso I could never have imagined that Isabelle’s theme would be so exquisite and encapsulate so perfectly the story I have written. Bravo Tim and Adelia!

I’m so grateful to them for working with me and sharing their immense talents on The Virtuoso.

I’d be delighted to hear your thoughts on the music, please do leave a comment or get in touch. I know it would mean a lot to Tim and Adelia as well.

I now have a book launch to organise! Until the next time folks…

Concert Review: Adelia Myslov Virtuoso Violin – Menuhin Hall 16th May 2015

I just had to tell you all about the concert mum and I went to last night!

Lord Menuhin would have been proud of one of his former students…

Adelia_Menuhin_Hall_concert_poster

In the fabulous setting of the Menuhin Hall we were treated to jaw dropping virtuosity with a mixture of baroque, romantic and jazz favourites for violin and piano.

Adelia opened with Bach’s Chaconne, giving a powerful performance of passion, pathos, precision and pure delight!

Her technique and delivery was flawless: she gave us rich and sustained chords, never missing an incidental note, in a dazzling array of light and shade in tone and tempo. Her vigorous, visceral build-up towards the middle section was infused with tension and restraint, leading to an explosion of emotion made possible by her incredible her bow control. It was a heartfelt and soulful recital of Bach’s spiritual and iconic solo violin masterpiece.

Both Adelia and Craig achieved a perfect balance between the dialogue and interplay of the violin and piano in Beethoven’s Romance No. 1 in G major. Their performance was ablaze with his romantic spirit, not to mention immaculate double stopping and exquisite phrasing.

Respigi’s Poema Autunnale was just divine. I could picture the rustic leaves swirling in the wind as the colours of her performance perfectly matched its seasonal theme.

So you can hear her brilliance for yourself, here is an earlier recording of Adelia & Craig performing the Respigi:

Equally impressive was her uninhibited expression of the Brahms Violin Sonata No.1 in G major.

Their finale was Frolov’s Concert Fantasia on Gershwin’s Porgy & Bess – what thrills and trills!

Their energy and enthusiasm for this rhythmic, jazzy gem shone through.  Adelia was up and down the fingerboard at lightning speed with accuracy, intonation and slides made in heaven. I doubt even Stephane Grappelli could have played it any better.

As of today (19th May), Adelia has been able to upload the recording made by the Menuhin Hall, and so it’s my pleasure to present her stunning live performance:

Adelia’s love and understanding for the music was etched on her face and clearly translated into beautiful sounds from her violin.

The acoustics in the hall are wonderful; needless to say mum and I enjoyed our evening very much. It was amazing to stroll along the public areas of the hall beforehand and read about the highlights of Lord Menuhin’s life and musical career – truly inspirational.

Located just outside Cobham in substantial rural grounds, the Yehudi Menuhin School continues to grow with the times, with a planned new state-of-the-art music centre and library, which, when built will house multiple studios ideal for music tuition, performance and recording.

It is, perhaps, the spiritual home of violin performance, with Yehudi Menuhin’s grave situated not far from the entrance to the hall.

The inscription on his tomb stone says it all:

“He who makes music in this life makes music in the next.”

Some more of my photos:

Menuhin Hall

View from the front row of the Menuhin Hall

 

Menuhin grave

Lord Menuhin’s grave

 

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Menuhin Hall Poster

 

Yours truly outside

Yours truly outside

Gem of a Violinist Illuminates Church Concert

St Edburgs Church BicesterI went to a small scale church concert on Sunday at St. Edburg’s Church in Bicester with my aunt and my mother. It didn’t take long to persuade me as Mozart, Mendelssohn and Beethoven were on the programme.

The amateur music ensemble Trinity Camerata (conducted by Sam Laughton) gave a wonderful opening to the afternoon with the Overture to Don Giovanni. The conductor (who was very eloquent), gave us all a preamble about each piece, which was really interesting and added to our understanding and enjoyment of the music. It’s the sort of ensemble I’d like to join when I’ve taken my Grade 8 and have more time to practise.

The highlight of the afternoon was being just a few feet away from the guest soloist, Adelia Myslov, the young virtuoso who performed the popular Mendelssohn Violin Concerto in E minor.

Here is my favourite vintage recording of the work with Yehudi Menuhin, the Berlin Philharmonic and Wilhelm Furtwängler:

All I can say is wow, this diminutive Russian really packs a powerful punch with her violin. To say her performance blew me away is an understatement. As far as I could tell with my limited understanding of music her performance was pretty flawless. Not just technically, but stylistically, musically and emotionally. She had her eyes closed for most of it, and the feelings of the music were etched on her expressions, and then translated into the sound from her gifted Lorenzo Storioni violin.

She’s fabulously talented, and I sat in awe at her prowess on the violin. Her double-stopping was so clean, the rapid arpeggios seemed effortless, combined with incredible bow control, and impeccable intonation. She produced the sweetest top notes. The cadenza was truly virtuosic. The acoustics of the church were fantastic, and her pure tone sang out the lyrical melancholy tones of the opening movement with such poignancy that my eyes became leaky…

I have no doubt that she will make it onto the world stage. She deserves to be as well-known as the likes of Hilary Hahn, Julia Fischer, Nicola Benedetti, Janine Jansen, Anne-Sophie Mutter and Vanessa Mae. She will win many hearts and over time, a huge fan base.

Originally from St. Petersburg her family moved to the UK where she attended the Yehudi Menuhin School and Purcell School of Music. Her website charts her musical achievements: http://www.adeliamyslov.co.uk/

I found this clip from her acclaimed recital series ‘Mortal Man; Immortal Dreams’ with pianist Craig White.

When she is famous I’ll be able to look back and say I had the pleasure of seeing her perform in an old church in Oxfordshire.

The concert was rounded off with Beethoven’s jolly and exuberant 8th Symphony, that he affectionately nicknamed his “little one” in F Major.  Whilst not every note or nuance was perfect the Trinity Camerata certainly put in a competent performance and captured the Master’s impish and ebullient mood throughout his happiest symphony!

Trinity Camerata