My Anonymous Postman Reveals Adventures I Never Would Have Imagined…

“If we don’t end war, war will end us.”

H. G. Wells

My regular postman has always been friendly. He’s cheerful and affable, even when he is being buffeted or soaked by inclement British weather. He must have a mountain of mail and parcels to deliver, but he never seems hurried and is usually chatty.

In a world where we may see certain people on a daily basis and yet know little about them, we grow a certain familiarity, albeit a superficial one; so it’s refreshing when a deeper connection takes place.

Talking isn’t a big part of the job, especially as Royal Mail are (not surprisingly), more concerned with productivity than my ‘friendly neighbourhood postman’.

120 Year old post box. Image by Grooveland on Unsplash

I don’t know my postman’s real name – and he prefers to keep it that way after divulging some very personal information about himself the other day. He seemed to want to talk more than usual; we were having a conversation about a trip he had taken to Argentina to see his girlfriend at the time.

Before I continue, it’s only fair to warn you that this post contains some harrowing stories, read on at your own discretion.

He explained that he had gone out for a run and had accidentally crossed onto the rural land of a neighbour. He knew he was in trouble when armed guards apprehended him and hauled him up in front of the owner. Humble and apologetic, he explained that he was staying next door as a guest of his neighbour, and did not intend to trespass. The tension gradually eased and all was eventually forgiven as the suspicion evaporated.

He was still conscious that men were brandishing AK47s and joked to me that he wondered if he would have to suddenly revive ‘special skills’ that he hadn’t needed to use in a long while. However, the property owner offered him a job as a body guard, which he turned down.

By this point I had a strong inkling that my postman wasn’t your average guy…

He then slipped in that he wasn’t popular in Argentina. I frowned; this seemed an odd and decidedly provocative thing to say. When I queried why this might be so, he hesitated for a split second, and coolly informed me that he had previously been on a clandestine mission there, as part of a military team sent to apprehend a child sex trafficker.

My jaw must have dropped.

Maybe he trusted me, (I like to think I am a good listener), and he went on to reveal things I never would have guessed about him.

One thing I had always been curious about (but was too polite to ask), was why he was missing his top two middle teeth. He is quite muscular, although not overly tall, and in otherwise apparent good health. It is an unusual thing to see in a fit man, especially as the rest of his teeth seemed fine.

Well, now I know why.

Without asking him he told me that during his time in the army he was deployed to Iraq after the initial invasion, and spent time in enemy territory. He was captured and subsequently tortured. Although recruits are given resistance to interrogation training he admitted it wasn’t sufficient to prepare him for the real thing.

As he relayed the inevitable torture that followed, it seemed somewhat surreal. His teeth were forcibly removed.

His nails were pulled out and other excruciating things done to him which I didn’t dare ask about. He was rescued, he thinks, by Special Forces. It sounds like he is lucky to be alive. Some of his friends and colleagues weren’t so fortunate.

A conversation with a friend back at base shortly after being rescued resulted in his nickname that he adopted as his military handle: Jericho.

His speciality in the British army was as a sharpshooter. He said it required nerves of steel and an alert state over long periods of time. Sometimes they were given drugs to help them stay awake during critical missions.

Note to self: must remain on good terms with my postman!

“No soldier ever really survives a war.”

Audie Murphy

He told of another day when his convoy was hit by IEDs. Some vehicles were on fire, and he had to drag one of his friends, burning and screaming from a badly damaged vehicle, sadly unable to save his life.

What must that kind of horror do to a person?

In short, it causes trauma. Survivors guilt. These life and death situations are extreme experiences, and the army needs to do more to help soldiers adjust to civilian life.

I was appalled by what he was telling me, but he seemed to have reached a level of detachment about it. He admitted that he had suffered with PTSD after being discharged from the army.

Another difficult thing for him to deal with was the fact that the Iraqi army would shoot civilians that spoke to them or demonstrated any kind of co-operation. They would be lined up and executed in cold blood. His unit were told not to interfere, something a normal person would naturally find abhorrent and shocking. He hinted that he felt torn following orders at certain times, especially when he considered them to be wrong. I got the distinct impression that his conscience was the cause of insubordination at times.

Actively letting atrocities happen is surely as morally reprehensible as participating in them. I couldn’t believe what I was hearing.

“There is no flag large enough to cover the shame of killing innocent people.”

Howard Zinn

He must have seen and done things no person could ever forget, let alone attempt to process in order to lead a normal life.

He told me that working on a farm after he was discharged helped him to adjust to civilian life. He regularly woke up screaming. He would feel angry, on edge and ready for combat at the drop of a hat. He found that meditation helped him to feel calmer and recover mentally.

Ernest Hemingway became a literary icon through the creative expression of his wartime experiences. Writing can enable healing and catharsis.

Jericho (as I refer to him now), also got involved in boxing for a while, but gave it up to protect his wrists and hands so he could continue to play the guitar injury free. He likes to do open-mic sessions and also writes songs.

Before too long he was back in the mission saddle (aka conflict hotspot), this time working for various PMCs (private military contractors).

He would tell me about parachuting into a scenario in the dead of night, which funnily enough he said didn’t scare him as much as climbing up a ladder!

Over a number of years he was deployed on missions in 78 countries, including the Middle East, Russia, various African nations, South America and so forth.

Some of the smaller, less established PMCs had questionable clients, and he told of being on jobs where he would come up against other mercenaries in the role of body guards that he knew from his time at another PMC. He also worked for an international contractor where different nationalities worked together. He has some American friends.

I felt honoured that he was telling me such personal things about his life – but, if I’m honest – also a little disturbed.

He also spoke of a helicopter landing in the park near his house one night as an old employer had sent men to ask him about breaking into a certain facility he had experience of. It seemed a tad creepy. I asked how he could remember such detail, but he insisted he could recall the mission and was able to help them.

There are clearly major drawbacks to his previous line of work, but I asked if being in the military had helped him to develop self-discipline, and he agreed it most definitely had. He would rise at 5 am to work-out before the day started, and felt himself to be a highly independent and resilient person.

Image by Sana Ullah on Unsplash

Jericho’s was the sort of background that is often used in action movies, although it did not sound glamorous, as such activities can sometimes be portrayed on screen. But still, it is far removed from the mundane act of delivering mail!

Being a postman is a million miles away from the adrenaline fuelled excitement and danger of his former career, and I think that’s just how he likes it at this stage of his life. He also talked about his family and other everyday minutiae.

I liked him anyway, before I knew more about him, but I have a new found respect for Jericho. He has had to adjust through the kind of intense lifestyle and experiences that most of us could not comprehend. It may have been his choice to go down that path, but none of us ever really know where a path we choose to walk will ultimately lead. He is an interesting person, and gave me permission to write about him without using his real name, thus ensuring anonymity.

I’m thinking of loosely basing a character on him!

It reminded me that everyone has a story in them, that appearances and career choices are not accurate barometers of someone’s character or past. You never know what someone has been through, or about their early upbringing.

It was a lesson that compassion and kindness is a balm to ease suffering and make someone’s day a bit brighter.

Listening to Jericho elicited thoughts about my paternal grandfather, Jonathan Patrick Haley, who everyone called Jack. I vaguely remember as a child the rare occasions when my grandfather would talk about his time in the RAAF, (Royal Australian Airforce) flying spitfires in Burma during World War Two.

My grandad is sitting on top of the fuselage, second from right. Tall, skinny, handsome with dark hair! Sadly many of the men pictured did not return home. It’s good to see my grandad in his prime, even if it is from an old, grainy black and white photo. I only remember him with a bald patch and white receding hair.

There was only so much he would share about his time as a reconnaissance pilot. My grandmother told me that his doctor thought he was too weak and malnourished to make it beyond six months after he returned home to life in Australia, but thankfully she nursed him back to health.

When my dad was young the Haley family emigrated to the UK. He was a tall, active, no-nonsense man, with a soft spot for his grandchildren. I was very close to him in my early childhood when we lived near them. My dad has his medals, including a Burma Star.

I looked up to my grandfather; he was a source of inspiration, confidence and comfort to me in my early childhood.

Jericho’s personal history is invisible beneath his red polo shirt uniform; only a cheerful, gappy smile hints at his previous life. People have hidden depths, and it can be revelatory exploring them, not least to gain a greater understanding of others and ourselves.

It’s amazing what you can learn when you take the time to get to know someone. Active listening is compassion in action. Heaven knows the world needs as much compassion as it can get right now.

“Circumstances don’t make the man, they only reveal him to himself.”

Epictetus

#GOSilverBirch: An Inspiring and Authentic New People’s Opera

It’s not every day that a year 5 primary school pupil has a chance to perform in the world premiere of a contemporary people’s opera – but that’s exactly what my ten year old daughter Emily did this weekend. On Sunday night I had the joy of seeing her take part in Garsington Opera’s Silver Birch, (social media #GOSilverBirch, @GarsingtonOpera ), at its base on the stunning Getty owned Wormsley Estate.

Photography of the performance was not allowed, but I snapped the stage just before the start of the final performance.

The Silver Birch opera was composed by Roxanna Panufnik with a poignant libretto by Jessica Duchen, who expertly integrated excerpts of poetry into its modern text that were written by World War 1 Poet and hero, Siegfried Sassoon (a frequent guest at Garsington Manor in Oxfordshire).

What was also moving was the fact that Siegfried Sassoon’s great-nephew was singing in the opera as part of the community chorus. Through interaction with Stephen Bucknill Jessica was able to also meet other members of Siegfried Sassoon’s family to share living memories of their relative and Great War poet.

“I believe that this War is being deliberately prolonged by those who have the power to end it.”  ~ Siegfried Sassoon

Everything about this project was special. Not least because it was based on certain experiences in 2003 of real life Iraq War veteran, Jay Wheeler (who was in the audience Sunday night), as well as the wartime poetry of Siegfried Sassoon and the participation of so many enthusiastic young people.

Intro into Silver Birch by Garsington Opera (Emily is right at the back of the very last frame):

Silver Birch required the training and co-ordination around 180 people on stage, which in addition to the main characters, comprised of a Primary Company auditioned and selected from 7 local primary schools, a Youth Company of teenagers aged 11 to 18, a small group of dancers, the Foley Company and the Adult and Military Community Company.

Many of the child, teenage and adult participants had never sung or performed in a professional production before Silver Birch.

It’s wonderful that all their names were featured in the programme, and Emily is happy that she is also in the main picture (top far left), on the page where her name appears.

The youngest singer in the opera was the sweet and spirited Maia Greaves, only 8 years old, who co-played the part of Chloe, Jack’s younger sister.

The stand out performances for me were Sam Furness as Jack,  after Mad Jack (nickname of Sassoon from WW1), Bradley Travis who played the ever present ghost of Siegfried Sassoon and Victoria Simmonds, Jack’s mother. I thought the entire cast and crew were just brilliant! I hope Silver Birch is commissioned into mainstream opera repertoire.

Silver Birch Synopsis: 

Anna and Simon plant a silver birch to grow up alongside their children. But later, when Jack and Davey join the army to prove their strength, devastating experiences await the entire family. Spring restores a weather-beaten tree, but can their damaged bonds of love sustain them all through the impact of war?

Interview with Roxanna Panufnik about Silver Birch on BBC Radio 3.

The Humbled Heart by Siegfried Sassoon (sung in Part 1 of Silver Birch)

Go your seeking, soul.

Mine the proven path of time’s foretelling.

Yours accordance with some mysteried whole.

I am but your passion-haunted dwelling.

 

Bring what news you can,

Stranger, loved of body’s humbled heart.

Say one whispered word to mortal man

From that peace whereof he claims you part.

 

Hither-hence, my guest,

Blood and bone befriend, where you abide

Till withdrawn to share some timeless quest.

I am but the brain that dreamed and died.

Even the title of the opera was inspired by a comment from a young boy at Lane End Primary School, who, when asked during a workshop what he would miss most if he were at war, replied that it would be the silver birch his parents’ planted and watched grow up.

Under the auspices of Garsington Opera’s Learning and Participation Programme many individuals of all ages came together for a musical and cultural experience that has changed their lives. My daughter is no exception.

Ruby excited to see her sister perform in Silver Birch.

As a musician and also a passionate speaker about the power of music education, I was keen to get Emily interested in music at a young age. She had piano lessons briefly but didn’t really take to it. She preferred the violin and now the guitar, but it seems her true passion is for singing, and she has a wonderful natural instrument. The only problem was she didn’t believe in it herself – until now.

Performing in Silver Birch seems to have been the catalyst for her confidence to blossom as well as unlocking her creative potential. I have noticed a massive change in her.

I believe her participation in Silver Birch has positively impacted her cognitive abilities, capacity for learning, her emotional and mental wellbeing as well as her social skills and overall self-esteem.  Emily can be quite shy with those she doesn’t know, and being outside her comfort zone has pushed her to higher levels of achievement than she would otherwise have thought possible.

Before the start of the opera Karen Gillingham, the Creative Director of Learning & Participation for Garsington Opera, did a wonderful job of introducing us to key members of the cast and stage crew,  explaining to us (with some fun audience participation), the creative process from inception through rehearsals to the world premiere performance of this compelling, multi-layered opera.

Silver Birch was a truly collaborative effort by many gifted individuals, whose collective efforts produced an emotional and meaningful experience. It was obvious that creativity, talent, love, respect and dignity had been poured into it right from the start, and was woven into every element of the work and its live performance. Silver Birch is a people’s opera on every front.

Douglas Boyd, the conductor and Artistic Director of Garsington Opera, eloquently elucidated in his brief address to the audience how the Silver Birch production had affected not just him, but the whole Garsington company as well as the community participants on a profound level.

His words were completely in alignment with my own ethos about the power of music to transform lives.

Emily auditioned at school in May and rehearsals begin in earnest at the end of June. As she chatted in her animated post performance high, we talked about all the different emotions that she experienced. The times of boredom, how she became physically tired, (the rehearsal schedule was full-on), with no weekend break in the two week run-up to the opening night.

This last week I have been a full-time taxi service. But I don’t mind supporting her in such a worthwhile endeavour! Emily now understands what it means to rehearse when she doesn’t feel like it (a few culinary bribes helped!) along with her lessons in work ethic and commitment to a project.

She certainly felt the euphoria that inevitably accompanies hard work: rehearsing alongside her best friend – culminating in the actual performances themselves, where all the separate companies and the orchestra came together on-stage and were duly rewarded by an appreciative audience. All the bowing and clapping at the end made a big impression on her!

She was standing at the front of the stage singing her heart out in quite a few scenes, and I was able to see her wherever she was on the set. My heart swelled with joy!

Whenever she bursts into song, either in the car or at home, I have noticed how much more powerful and resonant her voice is now. All the singers gave stunning performances. Certain scenes made the hairs on my arms stand on end.

I was so proud of Emily for all she accomplished on her musical journey and and my thanks and gratitude go to Garsington Opera as well as headteacher Miss Mansfield and her colleague Mr Dodd of Millbrook Combined School, without whose support it would not have been possible for Emily to take part in this amazing project.

BBC Arts filmed various aspects of the rehearsals and live performances in conjunction with Pinewood Studios at the Wormsley Estate, which will be broadcast online later this year. I will provide the link in this post when it becomes available.

I can see her love of singing and performance has been ignited, so I hope Silver Birch will be a springboard for future aspirations. Even if it isn’t, it has been worth it for Emily for the experience alone, and I’m sure other proud parents must feel the same way.

Expectant sister and mother in the audience!

Silver Birch certainly seemed to inspire and elevate not only the audience, but all who took part.

After all this excitement Emily can now relax and is  looking forward to our family holiday in Spain, as am I! But she can’t rest for too long – she has her 11+ exam to sit in September…

Happy holidays!

“Music in the soul can be heard by the universe.” ~ Lao Tzu